Original linocut, high weight paper, clear imprint mark, linocut size : 27 x 22,5 cm, made and approved by Picasso for "Picasso Linogravures", issued in an edition of 50 pieces. Making of linocut plates : Picasso in collaboration with Galerie Louise Leiris, imprinted by Hilgardo Arnera in Vallauris. Publisher : Edition Cercle D'Art Paris. Plate number 31 from a collection of linocuts published by Cercle d'Art editions in 1962.
References :
Ref: Bloch 909
Catalog Raisonne Czwiklitzer #174
Joyful promiscuity - characteristic of his 1946 stay in Antibes - is evoked in no fewer than ten linocuts with Dionysian themes. Picasso often used mythological motifs in his work , and the promiscuous Satyrs was one of his favorites. Picasso had a goat named Esmeralda, which he was very fond of and often included in his works. Picasso's linocuts from this period, are among the most dynamic and innovative prints in his oeuvre. Linocut enabled the artist to use bold, flat patches of color and strong contrasts to emphasize the intensity of the events in the arena.
Picasso revolutionized the linocut technique by developing the "reduction" method (also known as the single-block technique). It involves using only one block of linoleum, which is gradually cut out and printed in successive colors. This resulted in rich colors and textures, and most importantly, once the work was completed, no more prints could be made, adding to the uniqueness of the edition.
The work was readily used on exhibition posters of Picasso's works.
The framing shown in the visuals is for illustrative purposes only and does not constitute a commercial offer.
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